Case 05
Three top-tier brands, three social media strategies
Four years of reels, shorts, stories and carousels for three very different brands: a mining company listed in Toronto and New York, an ice cream chain and a vitamin D brand for babies and children. Each has its own visual code; the level of finish is the same across all three.
- Clients
- Listed mining company · Ice cream chain · Children’s health brand
- Brief
- Content for social media and YouTube
- Period
- 2022–2026
- Formats
- Reels, shorts, stories, carousels and long-form video
- Role
- Design, motion and editing
- Social content
- Motion graphics
- Audiovisual production



01 · Three accounts
Investors, ice cream customers and parents of babies
These are three accounts I worked on at the same time. Fortuna Mining speaks to investors and the mining industry; Baskin Robbins, to its customers in Canada; Ddrops, to mothers and fathers of babies and young children.
What works in one doesn’t work in the others. A big number with its source builds an investor’s confidence, but it doesn’t sell an iced cappuccino. The calm tone a children’s health topic calls for falls short in a seasonal launch. In each account, the job was to find the brand’s code and hold it piece by piece.
The three accounts
| Account | Industry | Audience | Period | Formats |
|---|---|---|---|---|
| Fortuna Mining | Gold and silver mining; listed on the Toronto and New York stock exchanges | Investors and the mining industry | 2023–2026 | Long-form video and shorts for YouTube, data graphics, stories |
| Baskin Robbins | Ice cream chain | Customers of its stores in Canada | 2024–2025 | Reels, adaptations to other sizes, statics |
| Ddrops | Vitamin D drops | Mothers and fathers of babies and children | 2022–2026 | 2D animation, reels, stories, carousels |
Everything shown here I designed, animated or edited myself. At Fortuna and Ddrops, I also led other projects that don’t appear here. Tools: After Effects, Premiere Pro, Illustrator and Photoshop, and ElevenLabs for the voice in Fortuna’s 2025 shorts.
02 · Fortuna Mining
Results, mines and a name change
Fortuna Mining produces gold and silver in Latin America and West Africa, and is listed on the Toronto and New York stock exchanges. Until June 2024 it was called Fortuna Silver Mines. Its YouTube channel and social media are aimed mainly at investors, so the content works with numbers: the company’s own and those from external sources, which are cited on screen.
The 2023 pieces use Fortuna Silver Mines’ orange and cyan; the 2025 and 2026 pieces, the blue of the new identity. The footage of the mines is shot by the company itself.
Long-form video for YouTube
“Driving Growth, Delivering Results” tells the company’s story in under three minutes, from its founding in 2005 to the first gold at the Séguéla mine, in Côte d’Ivoire, in 2023. It opens with a map of the operations and moves along a ruler of years: each milestone comes in with its photo and its figure. It closes with the legal disclaimers a listed company requires. I also designed the thumbnails for the channel.

Title 
2011–2013: listing on the New York Stock Exchange 
2023: Séguéla’s first gold 
YouTube thumbnail
Shorts for YouTube
The shorts take a piece of company or industry news and tell it vertically with footage from the mines. The 2023 and 2024 ones rely on titles, like the one about Séguéla’s first gold. The two from 2025 shown here run about a minute and a half and explain the context with voiceover, maps, press headlines, clips from TV interviews, archive footage and sourced data. One opens with gold as China’s top import from Canada; another, with the ranking of the 40 largest Canadian miners. Their voice was generated with ElevenLabs.

2023 · Séguéla’s first gold 
2024 · The company’s strengths

Gold, China’s top import from Canada 
Record annual average gold price 
The opening question 
The ranking, with its source
Numbers that read without sound
On social, the numbers are animated: a counter that climbs until it beats the target, panels that come in with each result, a progress line toward the next milestone. They’re designed to be understood with the sound off.

Chart on a Bloomberg survey, 2023 
Second-quarter results, 2025

Safety inspections versus target, 2023 
Diamba Sud project milestones, in Senegal, 2026
A system for stories
The stories from March to May 2026 come from a single system: the wordmark at the top, an animated blue background, a full-bleed or framed photo of the operations, and a large figure or headline with its label. With it I prepared nineteen stories in four series plus a shared closing: two on the sustainability bulletin for the last quarter of 2025, one with the fiscal year results and another with production versus target.

Sustainability bulletin 
2025 sustainability survey 
Fiscal year results 
Production versus target
03 · Baskin Robbins
One shoot, four reels and thirteen sizes
For the launch of the Pumpkin Spice Cappuccino Blast, in fall 2025, another team planned and produced a photo and video shoot of the product. With that material I animated four reels for Baskin Robbins’ social media in Canada. Each reel uses a different technique and its own background color.

Video and typography
The two cups, on video, with kinetic typography on warm grey: “Pour the pumpkin”, “Sip the season”.

Cut-out photo
A photo of the hand with the cup, cut out and animated on cyan: “Taste of fall”, “In every sip”.

Stop motion
A sequence of photos of the piping bag over the cup, edited photo by photo up to the whipped cream swirl, on peach.

Zoom
From the whole cup to a detail of the cream with a zoom, on magenta: “A fall favourite”, “All blended up”.

One reel in thirteen sizes
I adapted the two-cup reel to thirteen sizes, from 3840 × 1080 to 672 × 216. It isn’t a rescale: in landscape, the cups go on the left and the text on the right; in portrait, the text moves to the top; in the most elongated formats, the text sits in the center, with cups on both sides.

A static for summer
In July 2025, the drinks and ice cream range as a post and a story: the products on podiums, scalloped seals introducing each one and the headline “Cool Cravings, Covered All Day”.

Post 4:5 
Story 9:16
04 · Ddrops
An animated mascot and health tips for parents
Ddrops is a vitamin D drops brand that speaks mainly to mothers and fathers of babies. Its topics are health-related (immunity, sleep, nutrition, sun protection, colic) and it has a mascot: DeDe, a drop with a sun on its belly. Its code is clarity: sky blue and yellow, short sentences and one tip per screen.
DeDe in motion
I animated DeDe in 2D for dates and moments of the year: World Vitamin D Day, in 2022, and the end of Ontario’s darkest winter, in 2023, with a reel in which the grey sky opens up and DeDe crosses Toronto wearing a cape.

World Vitamin D Day, 2022 
“Feeling the winter blues? You're not alone!” 
“Getting enough vitamin D”
Animation that explains
In the stories and product videos, the animation explains: a shield with a bandage among germs to talk about immunity, or Baby Ddrops’ selling points turned into kinetic typography, such as “Made with only two naturally sourced ingredients”.

Immunity, 2023 
Baby Ddrops, 2023 
The two ingredients
Tips in series
Tips are spread across series, one per story or slide, with a short headline and a photo or illustration. In the 2026 National Sunscreen Day carousel, the stickers cross the cut between the first and second slides, and the last one links sun protection with vitamin D.

Clock change and sleep, 2023 
Five foods with vitamin D, 2025

Editing and titles
In 2026 I edited reels shot on a phone, with a presenter on camera. In the one about colic drops, each belief comes in as a quote: with a red X and the edge of the frame tinted red if it’s a myth, and with a green check if it’s partly true. Ingredients the product doesn’t contain appear with a crossed-out icon, and the ones it does contain, with a check.

A myth 
A belief that’s partly true 
What it doesn’t contain 
What it contains
DeDe is the brand’s mascot. The Toronto skyline and clouds in the winter reel, the germs and shield in the immunity story, the moon-and-stars background and the photos in the sleep stories, and the food illustrations are stock images.
05
Outcome
- 4years with Ddrops
- 3years with Fortuna
- 13sizes of a single reel
- 19stories from a single system
I’ve been designing for Ddrops for four years and for Fortuna for three, including through its name and identity change. Each account keeps its own code; what stays the same across all three is the level of finish.

Senior Designer | Branding · Motion · UX · AI Production
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Madrid, Spain | Remote work for Toronto, Canada